Catching Up With Svadisthana 2017

The Svadisthana: Spirituality In A Profane Realm blog continues to be a fountain of artistic and sensual inspiration. See the full blog here!

Catching Up With Svadisthana and Felix d'Eon!

One of my true pleasures is meeting other people who take to the fundoshi like a fish to water. I've developed long-distance friendships with a few other fundoshi-wearers over the last few years and one of the most rewarding trans-oceanic correspondences has been with Svadisthana, who has helped me with things as diverse as back pain and artistic inspiration.

Here are a few images taken from just one of the posts on his blog. There is much, much more to see there as he explores fundoshi, underwear, langots, cultural heritage, spiritual and sexual expression. Always illuminating, erotic, and stretching the creative bounds of fundoshi imagery!

Meet the Readers: Svadisthana

We last saw Dean in these pages in April and since then he's been pretty busy! Besides a life schedule that widely incorporates fundoshi into his yoga and spiritual practices, he's started up five inter-related blogs under the Svadisthana title that explore different facets of sensuality – from gently poetic eroticism to unfettered raw sexiness!

And here they are!!

Svadisthana portrays the journey of the soul/self (the spirituality) within the body which in turns travels through space and time (nature). The journey is winding and always changeable (ego/mood).  The link is fundoshi, which takes on the form of a deity (a familiar icon) that can be perceived with the senses in a way of actuating the link between spirituality and nature.

Svadisthana II draws attention to the fetishes (specific likes) of the false ego, in this case the look of the male body in male underwear, sports and formal clothing in various states of undress. The mood is both provocative and narcissic.

Svadisthana III focusses on the false ego's identity as more subtle than the gross body and this is reflected in the subtle use of partial or full nudity.

Svadisthana IV portrays the false ego's identity as a MALE human being in it's purest form revealing the potency of lingam, and signifying the natural means of creation. 

Svadisthana V portrays an intimate visual reference of the male human body's erotic nature.