16 September 2014

More Fundoshi Fliers and Adverts

 It's been a while since I've posted about Fundoshi Night fliers. There are bars like Zakoza and the Fundoshi Bar that host fundoshi nights: leave your clothes in a locker and tie on a fundoshi for a night of drinks, food, and socializing! Some of these clubs maintain this dress code 24-7, all year round. For others this is a weekly or monthly event. There are other night clubs where a fundoshi is the required staff uniform.

Here's something I wish would find it's way to the Western Hemisphere!

Of course, we could start our own fundoshi nights, in our living rooms or at rentals, at camp sites or resorts. Hmmm. We should do that! Get to know other fundoshi-wearers who live near you, and initiate the curious into the joys of the fundoshi.

I've also included a couple photos of people frolicking in fundoshi clubs, and some commercial advertising photographs from websites that sell fundoshis to round this post out.  They can be surprisingly spicy! Hope you enjoy it!

(Several of these fliers were found by ShyC. Thank you! I really appreciate these kinds of finds! Several others are from the fundoshi nights organized by Fundoshitaro. If anyone else comes across fundoshi night fliers -- or if you make your own -- I'd love to see them.)

02 September 2014

Meet The Readers: Doliver and CW BK!

Fundoshi 4 All! boasts a readership that isn't just interested in fundoshi, they're fundoshi wearers too! It's my mission here to find other fundoshi wearers and introduce new people to the fundoshi, to create a community that wears and shares this simple, noble swath of fabric. I'd like to present two of our readers in all their glory: Dolivier and CW BK.

26 August 2014

Fundoshi Provocateur

The erotic charge of fundoshi photography is often amplified by facelessness, by the presenting of the genital mound or the butt in an outward- or upward-thrust manner, by dim lighting or by it's opposite -- furtive snapshots out in the open, where risk of discovery is implied. The fundoshi becomes an interval between dress and nudity, even though historically a fundoshi and a fundoshi only is considered full dress. The ceremonial, historical, proper context of the fundoshi as a humble-yet-intricate garment is temporarily forgotten in the upsurge of hormones and the quickening of blood. Despite ourselves we imagine the feel of the fabric stretched over our own cocks, pulling tighter as we grow erect. We picture ourselves strutting and posing and posting naughty images on the internet. We gratefully satisfy this carnality as we stare with wide wet eyes at the twisted spiral of white fabric that cleaves the masculine buttocks before us, and as we imagine the treasure contained and outlined in the rounded pouches. Is it our own, for a moment? Do we enter the photographs on some psychic level, the voyeur and the exhibitionist entwining and merging into a hot pool of flesh and fabric, sweat and slick male essence?

To be truthful, I don't know. Maybe you don't project yourself into the models' loincloths, but often I do. Maybe imaginary scenarios don't play out in your head where you and they are fundoshi-clad and fevered, touching and caressing, bulging fundoshi grazing and pushing against one another while your chests rise and fall.

The sexual and the spiritual. The sexual is the spiritual.

12 August 2014

Rope Master

From Wikipedia:

"Bondage as a sexual activity first came to notice in Japan in the late Edo period.[5] Generally recognized as "father of Kinbaku" is Seiu Ito, who started studying and researching Hojōjutsu is credited with the inception of Kinbaku, though it is noted that he drew inspiration from other art forms of the time including Kabuki theatre and Ukiyoe woodblock prints. Kinbaku became widely popular in Japan in the 1950s through magazines such as Kitan Club and Yomikiri Romance, which published the first naked bondage photographs. In the 1960s, people such as Eikichi Osada began to appear performing live SM shows often including a large amount of rope bondage, today these performers are often referred to as Nawashi (rope master) or Bakushi (from kinbakushi, meaning bondage master)."